Cara Linley
“Is What’s Mine Really Mine? Re-Imagining Resource
Ownership and Control in Post-Apocalyptic Fiction”
Ellie Crookes
“Havelock North: A Medieval Town in Aotearoa/New Zealand”
George Damalas
“Emily Dickinson and the Name of the Snake”
Isabelle Wentworth
“Interactive Narrative Time”
Michael Falk
“Inner Seas in the Tragedies of Charles Harpur and
Joanna Baillie”
Michael Griffiths
“An Appetite to Begin: Intention, Politics and
(Post)Structuralism in Edward Said’s Critical Writing”
Ned Curthoys
“Ambiguating the Protagonist of the Bildungsroman“
Gillian Russell, Monique Rooney, and
Stefan Solomon
Gillian Russell: “New Light! The Elementary Affect of
Early Melodrama”
Monique Rooney: “The Space Not Beyond: Cats as
Elemental Melodrama of an Upper Atmospheric Limit”
Stefan Solomon: “‘The most elemental process’: Sunshine
as Solar Melodrama”
Wayne Bradshaw
“From The Freewoman to The Egoist: Max Stirner’s Reception
in English Modernism”
Isabelle Wentworth, Judith Bishop,
Katherine Bode, and Chris Danta
Isabelle Wentworth: “The Temporality of AI ‘Creativity'”
Judith Bishop: “A Soul at the ‘White Heat’? Lyric Poetry vs.
Large Language Models: A Provocation”
Katherine Bode: “There Is No Such Thing as AI”
Chris Danta: “Dear AI Reader: Apostrophe and a
Second-Person Conception of Life”
AUHE 